When choosing the programme in Photography taught at our campus Sint-Lukas Brussels, you'll be encouraged to deal with the photographic medium in an open and candid manner as goal to become an autonomous image-maker who uses his/her/its work to question the world and him/herself/itself.
Programme for exchange students: Within this programme, the individual student’s interests and personal obsessions are central. Throughout the programme the necessary technical, artistic and intellectual skills to translate thoughts and ideas into images will be taught. The programme will challenge you to create images that question and radically reject conventional ideas. The academic Photography student is an innovative image-maker, not an executor.
In his/her practice, thinking and doing are not exclusive but complementary. You’ll learn how to deal with the complexities of the photographic medium. You’ll be challenged to discover and sharpen the own artistic motives and vision. You’ll acquire the necessary technical and artistic skills to use later as an artist, as a purebred photographer, or as a researcher.
You will be part of an international group of students in a multicultural metropolis. Our campus is situated within the dynamic context of Brussels. This diversity creates new avenues of thought and leads to a challenging artistic process. Surrounded by students from Belgium and abroad you'll be confronted by other realities that shift your boundaries.
Our campus has a studio specialized in analogue photography. With its extensive infrastructure, various cameras and expertise, it offers you a range of artistic possibilities. It is unique within the landscape of contemporary art colleges.
Component code | Course name | ECTS credits |
---|---|---|
K44538 | English Cultural Module Brussels: "Made in Belgium" | 3 |
K44475 | Lens-based Project | 9 |
K44549 | Studio Practice 2 | 6 |
K42954 | Artists & Exhibitions | 3 |
K44492 | Editing Across Practices | 6 |
K44512 | Drawing Expanded 1 | 6 |
Total | 30 |
Component code | Course name | ECTS credits |
---|---|---|
K44228 | English Cultural Module Brussels: "Made in Belgium" | 3 |
K44499 | Research in the Arts | 6 |
K44495 | Photo Studies 3 | 6 |
K44498 | Time-based Media | 6 |
K44497 | Studio Practice Photography 3 | 9 |
Total | 30 |
Component code | Course name | ECTS credits |
---|---|---|
K44538 | English Cultural Module Brussels: "Made in Belgium" | 3 |
K44496 | Bachelor's Degree Project Photography | 15 |
K44492 | Editing Across Practices | 6 |
K42954 | Artists & Exhibitions | 3 |
K44512 | Drawing Expanded 1 | 6 |
Total | 30 |
Component code | Course name | ECTS credits |
---|---|---|
K44228 | English Cultural Module Brussels: "Made in Belgium" | 3 |
K44285 | E - Critical Practice Photography 1 | 6 |
K44296 | E - Master Studio Practice Photography | 12 |
ELECTIVES (choose 2) | ||
K44282 | Irrational Knowing | 6 |
K44055 | Common Grounds | 6 |
K44431 | Contemporary Documentary | 6 |
K44559 | Choreographing Film and Filming Choreography | 6 |
K44561 | The Practice of Everyday | 6 |
K44633 | Introduction to Curating and Curatorial Studies | 6 |
K44635 | Physical Editing | 6 |
Total | 30 |
Note: To see full description of the courses, click here. Keep in mind, this page is not definitive, changes might still occur.
A good command of English (level B2) is required to make the most of your stay with us.
All Erasmus+ Exchange Students need to apply via the exchange application procedure of LUCA School of Arts. During your application process, you can indicate the LUCA campus of your choice and the exchange programme you wish to apply for. Notice that not all programmes are open for incoming exchange students in both semesters. An overview can be found here.
The outcome of the application can be expected within 4-6 weeks after the application deadline. Both you and your international coordinator will be informed about the result of your application by e-mail. No need to inquire about the outcome yourself.
Campus Sint-Lukas Brussels
Paleizenstraat 70
1030 Brussels
+32 2 250 11 00
An international campus and an added value to your programme
If you need more information, don't hesitate to contact me:
If the basic principle of the policy plan means that 'quality is our driving force', and that every aspect of the policy can be tested against this, then LUCA undeniably wants to develop and nurture a strong quality culture: a culture that leaves based on trust in people with talent and expertise, and which is aimed at valuing, inspiring and improving.
The formal quality framework for training within LUCA was named KOPERA, which stands for: Critically Analyzing the Quality of Training with Peers in Own Direction.
For KOPERA, LUCA starts from a vision of quality care that is based on trust and aimed at valuing, inspiring and improving.
During the six-year KOPERA cycle, each training course receives a panel of critical friends who examine the implementation of the quality characteristics and examine how the training contributes to the general LUCA policy.
The final element of KOPERA is the ultimate assurance of training quality. The key question is: "Does the program have a good quality culture that follows the 'plan-do-check-act' circle?"
LUCA publishes a quality sheet for each course. You can find this on the Education Quality page.
Are you curious about our approach to art education? During our open days, you will get all the information you need, visit the campus, talk to our teaching staff and students ... Still not convinced? Visit our graduation show! During this, on-campus two-day art festival you can experience first hand how good our students really are.
During your studies you will be coached by a diverse and enthusiastic team of lecturers. Their strength is that they themselves are photographers, visual artists, writers or curators active in the field of contemporary art and photography. For example, Ana Torfs is participating in group exhibitions at Kunstmuseum Bonn (April 11 – May 18, 2025) and Le Forum, Hermès Foundation in Tokyo (opening July 17, 2025). Additionally, she is working on a solo exhibition at the Paintings Gallery of the Academy of Fine Arts in Vienna, opening on October 2, 2025. Aglaia Konrad has a solo exhibition at Secession in Vienna (March 8 – May 18, 2025). Her most recent publications include Alina, Barbara, Halina, Helena, Zofia (CCA Singles, 2024) and Japan Works (Roma Publications, 2021). In recent years, Els Opsomer has completed residencies in Thiès and Dakar (Senegal), Elfonissos (Greece), Bucharest (Romania), Amsterdam Noord (Netherlands), Berlin (Germany), Hospice Brussels, and the Frans Masereel Center in Kasterlee, where she is working on her doctoral project titled I See, I See What You Don’t See – On the Visible Invisible in Times of ‘Global’ Terror. In April 2025, she will participate in the symposium Does Security Have a Future? Speculation and Belonging in the Age of Catastrophes, organized by Deradicalizing the City (Brussels). Recently, her work was shown in Fort Beau (Cinematek, Brussels, 2024) and Choking Flames: Els Opsomer & Ermias Kifleyesus (Kusseneers Gallery, Molenbeek, 2023). In his current artistic practice, Danny Veys uses a canoe to photograph remote and untouched landscapes in a slow and experimental manner. His publication The Flaxcanoe Floats on the Golden River (2024) is the result of his research into the stories and history of the Leie River—a project he is now continuing in the regions of the Yser, Aa, Somme, and Meuse rivers. Additionally, he is creating new work at the archaeological site of Pergamon (Turkey), which will culminate in a 2027 exhibition marking 150 years of German excavations. Sarah Van Marcke started a PhD project in 2024 on the history and representation of nature reserves, for which she is undertaking an extended artist residency in the UK, near Leeds. She is also preparing a solo exhibition at Botanique in Brussels (2025). Sine Van Menxel created the artist’s book A Table under a Tree (Royal Academy of Fine Arts - Hopper & Fuchs, 2023). A selection of photograms from this series was exhibited at the Raveel Museum (Machelen-aan-de-Leie) and the Royal Academy of Fine Arts in Antwerp. Between 2020 and 2024, Liesbeth Decan led a research project on the Polish-Belgian artist Tapta, resulting in three exhibitions (at Arton Foundation, Warsaw; WIELS, Brussels; and Muzeum Susch, Switzerland) and three books published by Arton Foundation, Mousse Publishing, and Hatje Cantz. In March 2025, Eva Van Tongeren will present her new film Les mains qui travaillent (2024) at Art Cinema OFFoff in Ghent.
In addition to lecturers such as Liesbeth Decan, Jan Theo de Jager, Aglaia Konrad, Melanie Matthieu, Wendy Morris, Els Opsomer, Ronny Smedts, Ana Torfs, Mitja Tušek, Kris Van Beek, Sarah Van Marcke, Sine Van Menxel, Eva Van Tongeren, Maarten Vanvolsem, and Danny Veys, you will also have the opportunity to engage with external artists and curators through guest lectures, talks, and workshops.